Monday, 11 October 2010
Audience Theories
Tuesday, 5 October 2010
Male Gaze
The male leads romantic interest is objectified. As the male lead desires to be with the female lead, the audience desire the female lead also.
Laura Mulvey 1975:
Feminist arguement to make political use of conventional Hollywood film. Film places women as subordinate, inactive and limits them to narrow and two dimensional roles. The audience are asked to take a male point of spectatorship in most cinema.
Scopophilia and Voyeurism
The first time we fully see ourselves in a mirror, is the first time we understand ourselves as people.
We enjoy the voyeurism of going to the cinema as it allows us to look at other people without being seen ourselves.
Theory of Propp
The Villian - Against the hero. Causes trouble.
The Donor - Prepares the hero or gives them a magical object to help them defeat the villian.
The Helper - Helps the hero in his quest.
The Princess (The Prize) - The hero should be with her but cannot because of unfair evil, usually because of the villian. The Hero marries the princess when he has defeated the villian.
Princesses Father - Gives the Hero his task. Rewards him by letting him marry his daughter.
The Dispatcher - Sends the Hero on his quest.
The Hero - Saves the day. Marries the princess, does the task for the Princesses Father.
The False Hero - Takes credit for what the Hero does and/or tries to marry the Princess.
Semiotics
Other ways to communicate include:
Hairstyle
Clothing
Body Language
Make-up
Language is constructed by people to produce meanings within their culture. Only when we name objects and events that they are given meaning.
Denotation -> Connotation
Denote:
Deconstruction of any media texts begins with a detailed description of what is empirically present (visually and audibly) or what is denoted on the page/screen.
Connote:
After the initial description, you can move on to assessing what is connoted by the signs.
There are three parts to every sign:
Signifier: Physical form of the sign. Eg. Written word or traffic light.
Signified: The concept or idea the signifier produces. Eg. Red light- you know to stop.
Referent: The real thing. Not the signal or the idea but the real, individual thing. Eg. An actual rose.
Examples:
Signifier: Red Rose.
Signified: Love, death.
Signifier: Leather Jacket.
Signified: Biker. Tough guy.
Semiotics emphasises that our perception of reality is shaped by the words and signs that we use and how we interpret the words and signs of others.
Signifiers are denoted. What is signified is connoted.
The connotations of the signs create the meaning.
To approach signifiers you have to realise there are objective ones (ones that are put there intentionally to give you clues how to feel or react) and subjective ones (not intentionally put there but something that reminds an individual of something in their life or memories from the past).